Skip to main content

Interview Friday with Iain Reading, author of Kitty Hawk series



About Iain Reading
Iain Reading is passionate about Root Beer, music, and writing. He is Canadian, but currently resides in the Netherlands working for the United Nations. Iain is currently working on the fourth book in the Kitty Hawk Flying Detective Agency Series, which will be released in 2014. For more information, go to http://www.kittyhawkworld.com/


VS: I want to thank you for being my guest here on The Writing Mama today.  Iain, How long have you been writing?

Iain: I have been writing for just over a year now, although I now realize that I wish I'd started with it long ago.

VS: What inspired you to write your book (if this is a personal story about you, please share about the decision to open up about your life)?

Iain: The inspiration for writing my book comes entirely from the main character herself - Kitty Hawk.  The idea of a female teenaged seaplane pilot who wants to fly around the world just seemed so perfectly inspiring to me that I couldn't help but want to bring her to life by writing it.

VS: What is a typical writing day like for you?

Iain: A typical writing day always begins with some kind of exercise in focussing my thoughts and having a clear idea of what I want to accomplish and where things are going.  Not in too much detail, of course, but just enough to be clear about things.  This is usually accomplished by taking a walk alone and just sorting out my thoughts and writing the next chapter in my head, more or less.

VS: What did you find to be the most challenging part of writing your book(s)?

Iain: Finding the "voice" of the characters in the book and even of the entire book itself is what I find challenging.  Unfortunately, it seems to me that finding this is something that you only find once you are already well into writing the book (which either means going back and redoing the first parts you already wrote or just living with it).  And I guess this is what I find the most liberating about writing a series of books - the fact that I already have found the book's "voice" and can start in with it from day one and page one.

VS: What part of your book do you feel really stands out to you personally?

Iain: Something I really love about this book (Kitty Hawk and the Curse of the Yukon Gold) is how it feels when it really gets going.  It sort of slowly creeps up on the tipping point to the main rollercoaster of action, but when it gets there it has this really lovely feeling to it, racing from one thing to the next like a string of firecrackers.  Some of the firecrackers are even quite obvious when you look back on them, like clichéd elements that every good book about Alaska and the Yukon needs to have, but to me they never feel cliché because you're being carried along in the story like a glacial river in flood.

VS: If this is a work of fiction, what character is most like you?

Iain: I suppose they all are, in their own small way.  The conventional wisdom is that writers should "write what they know" and from that you'd assume that writers make all characters a bit like themselves because that's what they know.  But maybe in making each character just a little bit like myself I am doing the opposite... writing to know myself better instead of writing WHAT I know already.

VS: Do you have any other works in progress? Can you share a little about them?

Iain: Right now I am working on a new series of books about a guild of wizards living in the modern world.  It's something completely different from the Kitty Hawk series (which I will return to, of course - I won't leave her out there until she's finished her flight around the world) and I was just very curious what it would be like if I wrote a book (or two or three or five) in the over-crowded fantasy genre.  So we'll see how that turns out.

VS: What do you think are the basic ingredients of a good book?

Iain: Aside from what are the standard things (characters, plot, etc) I think what is important thing is to create a world that draws people into it.  I would love to be able to say that I wrote a book where people felt like they were living the story instead of just reading about it.  

VS: What is required for a character to be believable? How do you create yours?

Iain: Lately I am thinking a lot about believable characters.  Specifically about how much depth they have on the written page.  This stems from my concern about having two-dimensional (or god forbid even ONE-dimensional) characters too often in my writing.  Some of them are, I know, but I am okay with that.  But how does one ensure that the characters that they really need to have depth are truly three-dimensional and believable?  I suppose the way to accomplish that is to make sure that those characters actually DO have depth, at least in your own head as the writer.  Every character in life or books always has a backstory and motivations, right?  You don't always know what it is - in fact, you almost never really do know - but it's always there whether you know it or not.  So as a writer maybe the secret is to know all that stuff yourself, even if you never put it down on the page.  If you know yourself what their backstory is and what their motivations
are, then the action and dialogue that you actually do write might then be believable and three-dimensional.  I hope?

VS: Where can the readers of The Writing Mama find out more about and your writing?

Iain: Fans of the Kitty Hawk series can always check in with www.kittyhawkworld.com to see the latest state of all things Kitty Hawk.  And anyone interested in the music side of things can also check out my music website at www.secretworldonline.com as well.
 

Popular posts from this blog

The Comeback of 2D Animation: Why We’re Craving Realness Again

There’s something happening in animation right now that’s worth paying attention to—not because it’s simply nostalgic, but because it’s deeply human. As someone who works in the mental health and creative storytelling space, I can’t help but see these conversations about art, AI, and hand-drawn storytelling as part of a bigger theme: our collective hunger for authenticity. We live in a time where AI-generated content is everywhere—convenient, efficient, and often soulless. It’s not surprising that artists and audiences alike are looking back toward something that feels more tactile, more imperfect, more human. That brings us to 2D animation, an art form that has shaped generations and now, it seems, might just be making a comeback. Here’s what Language of the Soul podcast host, Dominick Domingo, had to say on this trend: There’s been a lot of industry talk lately speculating about 2D/traditional ANIMATION making a comeback. Recent articles confirm that although Disney has not greenlit...

Interview Friday with multi-talented author, Cheryl Malandrinos

Cheryl Malandrinos is a freelance writer and editor from Western Massachusetts . A regular contributor to Writer2Writer, her articles focus on increasing productivity through time management and organization. A founding member of Musing Our Children , Ms. Malandrinos is also the Editor-in-Chief of the group's quarterly newsletter, Pages & Pens . Cheryl is a Tour Coordinator for Pump Up Your Book Promotion , a book reviewer, and blogger. Guardian Angel Publishing will release her first children’s book, The Little Shepherd Boy, in 2010. VS: Cheryl, I want to thank you for being my guest here on The Writing Mama today. I know being a parent and writer can be hard and I find myself asking if I am giving my three children enough attention throughout the day. I am sure you have been in my shoes from time to time. So to start here is the first question, how many children do you have and what are their ages? Cheryl: Thanks for having me at The Writing Mama, Virginia. I’m thril...

Five Tips for a More Marketable Children’s Picture Book Manuscript by Mayra Calvani

The world of children’s picture book publishing is extremely competitive. If you’re an aspiring children’s author, you need to make sure your manuscript is in excellent shape and has all the elements editors and agents look for before you begin the submission process. Here are five tips to make your picture book manuscript more marketable: Start right with the problem.  Many times beginner writers begin a picture book with back-story. It’s okay to have this back-story in the first draft, but be sure to get rid of it when you edit. Back-story is unnecessary 90% of the time and it only serves to slow down the beginning of a story, making it weaker. You want to grab the reader right from the start. So don’t be afraid to begin your story at the heart of the problem. It’s okay to set the stage with a sentence or two—but no more! Have a protagonist readers can relate to. Generally, children like to listen to stories about other children or animals with children’s characteristics. ...