Skip to main content

Weaving Real Science into Fictional Worlds

We had the pleasure of hosting John Bukowski, an author who blurs the lines between the realms of science and fiction to craft narratives that are as thrilling as they are scientifically insightful. The discussion centered around his latest novel, "Project Suicide," which offers a captivating blend of scientific authenticity and creative imagination. Bukowski's unique background as a veterinarian, epidemiologist, and medical writer gives him a distinctive edge in the literary world, enabling him to infuse his fiction with a realism that resonates with readers seeking more than just a story—they crave an experience grounded in the possible, if not the probable.

The podcast delved into the nuanced process of translating complex scientific concepts into engaging fiction without sacrificing the thrill of the narrative. Bukowski's approach to writing is meticulous, yet fluid, allowing for the narrative to unfold organically while still maintaining a backbone of scientific credibility. This balancing act is a critical aspect of thriller writing, as it requires the author to maintain the tension and pace crucial to the genre, all while incorporating well-researched, plausible science. The conversation revealed that Bukowski draws from a variety of inspirations, from personal life experiences, such as family encounters with dementia, to the broader implications of scientific advancements and their potential misuses.

A hand holding a syringe

AI-generated content may be incorrect.

 
An interesting touch point in the episode was the exploration of music and literature's influence on storytelling, with a particular nod to Kate Bush's "Experiment 4" and its thematic connection to Bukowski's work. Themes of moral ambiguity and the psychological underpinnings of character decisions were discussed, highlighting how Carl Jung's archetypes can be adapted to modern storytelling. This psychological depth adds layers to the characters, making them more than mere players in a plot—they become conduits through which complex moral dilemmas and the human condition are explored.

The craft of writing itself was also a key focus, with an emphasis on structure, pacing, and the art of dialogue. The discussion touched on the mastery of Elmore Leonard and Stephen King, and how Bukowski applies their principles to his own writing. Authentic dialogue and the avoidance of heavy exposition are critical in creating a believable world where the reader can immerse themselves without being pulled out by awkward or unnatural interactions between characters.

The art of description and exposition was another vital topic, as the podcast touched on the importance of integrating descriptions seamlessly into the narrative, avoiding clichés, and building characters through action and dialogue rather than relying solely on descriptive passages. The interplay between showing and telling is a delicate dance that Bukowski seems to navigate with finesse, taking cues from various mediums like cinema and theater to enrich his literary approach.

In crafting "Project Suicide," Bukowski discussed the use of "what if" scenarios as a foundation for his stories, illustrating how a single idea can grow into a complex narrative that captures the imagination. He shared insights into the inspiration behind specific plot elements, such as the novel's central idea of a cure for Alzheimer's that has unintended, lethal side effects. Such premises not only provide thrilling plot lines but also provoke thought about the ethical implications of scientific discovery and manipulation.

Download the episode at https://www.buzzsprout.com/2267353/episodes/15180856

 


Popular posts from this blog

The Comeback of 2D Animation: Why We’re Craving Realness Again

There’s something happening in animation right now that’s worth paying attention to—not because it’s simply nostalgic, but because it’s deeply human. As someone who works in the mental health and creative storytelling space, I can’t help but see these conversations about art, AI, and hand-drawn storytelling as part of a bigger theme: our collective hunger for authenticity. We live in a time where AI-generated content is everywhere—convenient, efficient, and often soulless. It’s not surprising that artists and audiences alike are looking back toward something that feels more tactile, more imperfect, more human. That brings us to 2D animation, an art form that has shaped generations and now, it seems, might just be making a comeback. Here’s what Language of the Soul podcast host, Dominick Domingo, had to say on this trend: There’s been a lot of industry talk lately speculating about 2D/traditional ANIMATION making a comeback. Recent articles confirm that although Disney has not greenlit...

Interview Friday with multi-talented author, Cheryl Malandrinos

Cheryl Malandrinos is a freelance writer and editor from Western Massachusetts . A regular contributor to Writer2Writer, her articles focus on increasing productivity through time management and organization. A founding member of Musing Our Children , Ms. Malandrinos is also the Editor-in-Chief of the group's quarterly newsletter, Pages & Pens . Cheryl is a Tour Coordinator for Pump Up Your Book Promotion , a book reviewer, and blogger. Guardian Angel Publishing will release her first children’s book, The Little Shepherd Boy, in 2010. VS: Cheryl, I want to thank you for being my guest here on The Writing Mama today. I know being a parent and writer can be hard and I find myself asking if I am giving my three children enough attention throughout the day. I am sure you have been in my shoes from time to time. So to start here is the first question, how many children do you have and what are their ages? Cheryl: Thanks for having me at The Writing Mama, Virginia. I’m thril...

Five Tips for a More Marketable Children’s Picture Book Manuscript by Mayra Calvani

The world of children’s picture book publishing is extremely competitive. If you’re an aspiring children’s author, you need to make sure your manuscript is in excellent shape and has all the elements editors and agents look for before you begin the submission process. Here are five tips to make your picture book manuscript more marketable: Start right with the problem.  Many times beginner writers begin a picture book with back-story. It’s okay to have this back-story in the first draft, but be sure to get rid of it when you edit. Back-story is unnecessary 90% of the time and it only serves to slow down the beginning of a story, making it weaker. You want to grab the reader right from the start. So don’t be afraid to begin your story at the heart of the problem. It’s okay to set the stage with a sentence or two—but no more! Have a protagonist readers can relate to. Generally, children like to listen to stories about other children or animals with children’s characteristics. ...