Skip to main content

How to Sell Yourself Workshop

 
 
How to Sell Yourself with VS Grenier
 
This workshop is my most requested for writing conferences and by writing groups.
Description:
It‘s more than writing a good story or article when it comes to being noticed by publishers and editors. Think about it, how many bad books are out there making money? How many awful articles have you read in recent publications? Do you wonder how these writers are getting published and you’re not? Do you think it has to do with the catch 22 system? In some ways, it does, but knowing how to sell yourself is key. You’re not just a writer . . . you’re a Salesman! And the product you’re selling is Yourself!

As writers, we are a product, not just our books. Many writers aren't successful because they don't know how to sell themselves; let a lone their writing.

This online course is 10 weeks long and includes a teleclass. All assignments will be sent via email by the instructor.

Course starts September 11, 2011 and ends Noember 13, 2011
Cost: $90
Sign Up Here http://storiesforchildrenpublishing.com/workshops.aspx
 
All workshops are taught by SFC Team members or contributing professionals.
 
Each workshop experience focuses on the students’ work.
With our hands-on practical approach, writers at all stages of their career will learn something new.
 
We want to help you be the writer we know you are!
Labels:

Popular posts from this blog

The Comeback of 2D Animation: Why We’re Craving Realness Again

There’s something happening in animation right now that’s worth paying attention to—not because it’s simply nostalgic, but because it’s deeply human. As someone who works in the mental health and creative storytelling space, I can’t help but see these conversations about art, AI, and hand-drawn storytelling as part of a bigger theme: our collective hunger for authenticity. We live in a time where AI-generated content is everywhere—convenient, efficient, and often soulless. It’s not surprising that artists and audiences alike are looking back toward something that feels more tactile, more imperfect, more human. That brings us to 2D animation, an art form that has shaped generations and now, it seems, might just be making a comeback. Here’s what Language of the Soul podcast host, Dominick Domingo, had to say on this trend: There’s been a lot of industry talk lately speculating about 2D/traditional ANIMATION making a comeback. Recent articles confirm that although Disney has not greenlit...
Read more

We're All Souls: The Spiritual Thread of Mental Health with Carolyn Coleridge

  By Virginia Grenier I’ve long believed that healing is more than just symptom reduction. It’s not just about coping skills or cognitive restructuring—it’s about uncovering the deeper threads that shape who we are and how we move through the world. That belief is exactly why this latest episode of Language of the Soul resonated so deeply with me. Our guest, Carolyn Coleridge, is a psychotherapist, intuitive, and healer who has spent over 30 years at the intersection of traditional therapy and spiritual insight. In our conversation, Carolyn shared something that’s stuck with me since we recorded: “We’re all souls. That’s my premise.” It sounds simple, but when you really sit with it, that one sentence flips the entire clinical model on its head. What if instead of viewing our clients—or ourselves—as broken minds to be fixed, we saw each of us as whole souls navigating a very human experience? That’s the lens Carolyn brings into her work and into this conversation. And honestl...
Read more

Five Tips for a More Marketable Children’s Picture Book Manuscript by Mayra Calvani

The world of children’s picture book publishing is extremely competitive. If you’re an aspiring children’s author, you need to make sure your manuscript is in excellent shape and has all the elements editors and agents look for before you begin the submission process. Here are five tips to make your picture book manuscript more marketable: Start right with the problem.  Many times beginner writers begin a picture book with back-story. It’s okay to have this back-story in the first draft, but be sure to get rid of it when you edit. Back-story is unnecessary 90% of the time and it only serves to slow down the beginning of a story, making it weaker. You want to grab the reader right from the start. So don’t be afraid to begin your story at the heart of the problem. It’s okay to set the stage with a sentence or two—but no more! Have a protagonist readers can relate to. Generally, children like to listen to stories about other children or animals with children’s characteristics. ...
Read more